![]() 1 with a bullet, so to speak, is Samuel L. McConaughey does an impeccable movie-star turn as Jake Brigance, the most ambitious and talented attorney in tiny Canton, Miss., and doubtless has a lucrative career ahead of him, but in the acting department he is the runner-up. If nothing else, Schumacher’s love for unalloyed shamelessness is sincere and that gives “A Time to Kill” a core watchability that many other commercial projects lack.ĭespite what you’ve been reading, it’s not Matthew McConaughey, the hunky young actor with a profile like a Roman coin, who is the key to “A Time to Kill’s” success. While the director’s relish for pushing every button within reach is excessive, you have to shake your head and admire the jaw-dropping effrontery of the attempt. Still, being anything but bemused at “A Time to Kill’s” antics is as pointless as getting angry at an infant who misbehaves. ![]() It’s hard to think of another director who could make Grisham’s pulp fiction look restrained by comparison, but Schumacher manages. Not trusting even the best-selling novel’s instincts, Schumacher and screenwriter Goldsman, determined to squeeze the maximum possible impact out of situations, have made several small but critical changes in the plot, including putting a key closing speech in a different character’s mouth. ![]() ![]() ![]() With full throttle as his cruising speed of choice, Schumacher directs as if nuance were a capital offense. ![]()
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